The nominees for this year’s European Film Awards have been unveiled, with “Emilia Pérez,” “The Substance” and “The Room Next Door” all up for best European film. Movies also in the ...

Films like "The Substance," "Flow," "No Other Land," "Vermiglio," and "The Girl with the Needle" also had strong showings with nods in multiple categories.

OTT releases in November: This month brings with it a wide array of genres of movies and shows scheduled for digital release, including Citadel: Honey Bunny, Vettaiyan, Emilia Pérez and Dune ...

The musical Emilia Pérez features Selena Gomez and Zoe Saldaña in her first full musical. For each artist, the songwriters had to tailor the film’s songs to them. Composer-songwriter Clément ...

A lawyer, a kingpin and his wife walk into a musical, and “Emilia Pérez” is born, Frenchman Jacques Audiard’s full-bodied, colorful epic about transformation, redemption and finding one’s ...

"Emilia Pérez" is not a Mexican film. That much is clear. It's not really about Mexico but rather procures the context of the embattled country as a backdrop for its musical fantasia, interested in a ...

By Scott Feinberg Executive Editor of Awards Selena Gomez in 'Emilia Perez.' PAGE 114 – WHY NOT PRODUCTIONS – PATHÉ FILMS - FRANCE 2 CINÉMA - SAINT LAURENT PRODUCTIONS/Shanna Besson.Cannes ...

There appears to be only one person in the musical Emilia Pérez who knows the kind of inconsistent movie they're making. That would not be Zoe Saldaña, here playing Rita Moro Castro ...

"Emilia Pérez," now in theaters in advance of its Netflix debut on Nov. 13, is an unmissable movie event with cascading, sometimes violent passions that can also be as intimate as a whisper.

Fasten your seatbelts for something original and outrageous that will grab you and won't let go. "Emilia Pérez," now in theaters in advance of its Netflix debut on Nov. 13, is an unmissable movie ...

You can now click/tap LISTEN to start the live stream. Thanks for logging in. One Noodle Friendship has got the charm of ‘a face only a mum could love’, maybe more ‘a face locals can love’. I only say ...

Gascón walks a complicated line between the liberation of Emilia’s new life and the guilt of her old one, and does it all with remarkable poise and grace. It’s a shame, given this ...